Adventures With Cassiopaea

Chapter 19

Again, neither of us wanted to describe the dream to Frank. With the growing awareness that the C's were communicating in code, that there were things that Frank could not know for some reason, we were being ever more careful what we did talk about in front of Frank. So Ark asked his questions about it in a veiled manner.

10-10-98
Q: (A) I want to ask about the meaning of my dream, which was so vivid... about Elohim and Seraphim. What was the meaning of this dream?
A: Peace torch.
Q: (A) What is peace torch? From whom?
A: Not from. All considered before decision on judgment.
Q: (L) That makes no sense at all.
A: Yes it does.
Q: (A) Who were the Elohim?
A: Elohim refers to past, as a connection to future as envisioned in your dream. It is the connector that counts, see?? Ruling council of Od; Odiem.
Q: (L) What about the Seraphim?
A: Council in clouds... We are speaking of advanced insight here.
Q: (L) Why were there 300 Elohim and 301 Seraphim?
A: Who is the odd one out?
Q: (A) Who is the odd one out?
A: Check your roots. Od, odiem, odd, could we spell it out any clearer for you? Not without abridging free will!
Q: (L) Who is Sara?
A: Roots.
Q: (L) Who is the 'King of the Angels?'
A: No more spoon-feeding. Gerber's is out of stock!

The "odd one out." The dream had been about me, and my name was Sarah, and Ark had added his presence to the 300 Seraphim, becoming my husband, which had resulted in the "defeat," or displacement of the Elohim. I knew that the message was that Frank was the "Odd man out," and I was beginning to get a glimmer about the "Third Man Theme."

07-19-97
Q: Well, I found some connections between some tombs in Rome, Nicolas Poussin, and some tombs in England, the processions of 'angels' on the Canary Islands. The connection seems to be these funny lights, or Candles, with 'peculiar wicks,' as they are described, which are 'eternal flames.' I am wondering if this is what you meant by connecting them by the frequency of light?
A: "Eternal flame" adorns the tomb of JFK. Connection?
Q: Yes. I also found the Solloi priesthood and the priestesses called Peleiades. They seem to be involved with urns, birds, tinkling bells, urns that can be struck and which then set up a particular resonance in other urns, oak trees, and some other peculiar references that relate to laurel trees...
A: Siren song.
Q: What about the siren song?
A: Greek mythology.
Q: I know that. What about it? What do the sirens represent?
A: Laura, my dear, if you really want to reveal "many beautiful and amazing things," all you need to do is remember the triad, the trilogy, the trinity, and look always for the triplicative connecting clue profile. Connect the threes... do not rest until you have found three beautifully balancing meanings!!
Q: So, in everything there are three aspects?
A: And why? Because it is the realm of the three that you occupy. In order to possess the keys to the next level, just master the Third Man Theme, then move on with grace and anticipation.

The Third Man is a classic film noir. The action is set in Vienna's bombed out buildings and underground sewers. Post-war Austria was politically divided into different sectors controlled by the U.S., England, France and Russia. Holly Martins (Joseph Cotten), an American author, arrives in Vienna where he has been promised work by his old school friend Jay Wiley (Orson Welles). Upon his arrival, Martins discovers that Lime has been killed in a suspicious car accident, and that his funeral is taking place immediately. At the graveside, Martins meets a Major Calloway (Trevor Howard) and an actress, Anna Schmidt (Alida Valli), who is weeping copiously. When Calloway tells Martins that the late Alvin Wiley was nothing more or less than a thief and a murderer, the loyal Martins is at first outraged. Gradually, he not only discovers that Calloway was right, but also that Lime faked his own death and is still very much alive (he was the mysterious "third man" at the scene of the fatal accident). Calloway wants help from either Anna or Holly to flush out Lime. Blindly loyal, Anna refuses. Martins does likewise, until Calloway shows him the tragic results of Lime's black-market in diluted penicillin. Arranging a rendezvous with Lime at the huge Ferris wheel in the centre of Vienna, Holly listens in barely concealed disgust as Lime casually dismisses his heinous crimes. Feeling particularly brazen, Lime offers not to kill Holly if the latter will go into business with him. Thus the stage is set for the famous climactic confrontation in the sewers of Vienna - and the even more famous final shot of The Third Man, in which Martins pays emotionally for doing the right thing.

It's another of those bizarre things that the plot of this movie so accurately represented our real life dynamics right down to my loyalty to Frank, and Ark's arrival on the scene and his initial refusal to "see" what Frank was really doing at the deepest levels. Even though Ark and I were now at the point where we KNEW that something was seriously amiss with Frank, we continued to want to try to find ways to help him adjust to the fact that he was valued and accepted, but that he was not going to be allowed to willfully manipulate either of us, and control games were not going to be tolerated. Frank had issues - deep ones - and we knew it. I had always known it. But now we were coming to the realization that the only one who could "fix" Frank was Frank.

We tried to approach the problem in terms of behavior modification. On all the occasions when I would have been inclined to let rudeness pass, or to "make nice" when Frank was clearly in the wrong, to agree for the sake of peace even when I knew he was twisting things, Ark was undertaking the process of letting him know when he was rude and behaving unacceptably, as well as clearly pointing out the fallacies in his logic. Frank had been accustomed to dazzling everyone with his fine voice and big words. Frank used words as others use algebraic signs. He was meticulous and precise, sculpting the emotions of the listener with finely tuned reverberations of pain and love and fear.

Continue to page 148

The owners and publishers of these pages wish to state that the material presented here is the product of our research and experimentation in Superluminal Communication. We invite the reader to share in our seeking of Truth by reading with an Open, but skeptical mind. We do not encourage "devotee-ism" nor "True Belief." We DO encourage the seeking of Knowledge and Awareness in all fields of endeavor as the best way to be able to discern lies from truth. The one thing we can tell the reader is this: we work very hard, many hours a day, and have done so for many years, to discover the "bottom line" of our existence on Earth. It is our vocation, our quest, our job. We constantly seek to validate and/or refine what we understand to be either possible or probable or both. We do this in the sincere hope that all of mankind will benefit, if not now, then at some point in one of our probable futures.

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